The street photography is as old as photography itself, because photographers have always been driven by the idea of capturing that one, perfect moment on the street. As old as street photography is, it is also as diverse. Carried by intense contrasts, fleeting moments, extreme wide-angle lenses or bright colors, there are countless ways to approach street photography personal stamp push up.
The attraction, but also the difficulty in the street photography is to tell a story in a single image. This can be achieved through different approaches, so that there is no right or wrong. Nevertheless have particularly through Street Photography Legends like Henri Cartier-Bresson, Vivian Maier and also Bruce Gilden enforced certain rules that both the beginner and the photo professional on the way to capturing the " perfect moment " help.
Rule number 1: Less is more
The street photographer wants to remain unnoticed and under no circumstances want to immediately attract attention because of his camera, his extensive equipment or because of a long, professional focal length. The really big names in street photography have always distinguished themselves by using a single focal length out of. This brings with it a number of advantages. On the one hand, a focal length of 28, 35 or 50, these are the most popular variants, is not particularly important and it is not conspicuous either, on the other hand, using a single focal length quickly creates your own, consistent style a. If you know your camera, you can compose a picture, so to speak, from the hip, without even looking through the viewfinder.
Rule number 2: Waste is an important part of street photography
Street photography shows all the advantages of the digital photography . Whereas in the past it hurt even more when a picture didn't live up to expectations due to the price of the film, today the individual shot costs nothing. Sometimes it is only when you look closely at the pictures that you can see what treasures were unearthed during the carefree photography on the streets. Just start taking pictures, in street photography that's perfectly fine, because only with the Practice and the regularity the photographer learns more about his style and his own style of photography .
Rule number 3: Protect personal rights and accept a no
Not all street photographers cover themselves in glory when chasing interesting portraits. The respect must always come first. Before photographing people without warning, it is always a good idea to take the time and ask politely if a picture can be taken. A no must always be respected.den.
Rule number 4: Throw out the rules of composition
Always follow the same pattern - that's not possible with street photography. The story that is supposed to be told by means of a picture can only be conveyed in certain situations if some compositional rule is thrown overboard. Going particularly close, from a worm's-eye view, blurred, with or without a flash, everything is allowed good results leads.
Rule number 5: The street as a stage
Photographers often discover interesting places and still bring no usable pictures of it home. Far too often this is actually due to the lack of patience . If the location is good, or the light is at the perfect angle on a corner of a house, a passageway, or an intersection, then it's worth waiting for the right person or car to come into the scene. The street can be imagined as a stage - what is still missing to complete the picture?
Rule number 6: Know your own camera
An aperture between 5.6 and 8.00 is ideal for sufficiently sharp images of people and objects. Suitable for this and for existing light should be chosen a shutter speed that prevents blurred images . Times of 1/250 seconds or even less are recommended.
There is hardly any other type of photography that achieves success as quickly as with street photography . Always reaching for the camera, automatically taking it with you on every walk – this is the best way to practice reading scenes and converting them into strong images on a daily basis..